ink on paper. 2010.
the writer.
|| York Castle Museum, England || (© May Rosales)
Nikon D40 AF-S DX Zoom-Nikkor 18-55mm f/3.5-5.6G ED II
Bones 2x09 Aliens in a Spaceship
- HODGINS: If the ransom was paid, we’d be out by now. Why prolong the inevitable?
- BRENNAN: Booth will find us.
- HODGINS: You have a lot of faith in Booth.
- BRENNAN: No. Faith is an irrational belief in something that’s logically impossible. Over time I’ve seen what Booth can do. Its not faith.
- HODGINS: No offense, and I’m not just saying this because you flayed me with a knife. We’re out of air, we don’t know if our message got out, much less if anyone understood it, and we are buried underground. What you have is faith, baby.
|| The Shambles, York || (© May Rosales)
Nikon D40 AF-S DX Zoom-Nikkor 18-55mm f/3.5-5.6G ED II
Bones 2x09 Aliens in a Spaceship
- HODGINS: (to ZACK) You haven’t figured out the stun gun, then I am this week’s King of the Lab because I found something huge.
- ANGELA: You compete to be King of the Lab?
- HODGINS: Nooo…hey, Angela, I didn’t know that you were…this sucks.
|| Ceiling of railway station, York || (© May Rosales)
Nikon D40 AF-S DX Zoom-Nikkor 18-55mm f/3.5-5.6G ED II
Bones 2x09 Aliens in a Spaceship
- BOOTH: The Gravedigger is not God, Bones, because God does not make mistakes.
- ANGELA: Hmm, I don’t know. Putting testicles on the outside didn’t seem like such a good idea.
Middle East of the first half of the 20th century, Egypt
Bones 2x08 The Woman in the Sand
- BRENNAN: I suppose, from an anthropological standpoint, this taps into the nihilistic part of the human psyche fascinated by blood and gore.
- BOOTH: Its human cockfighting.
- BRENNAN: More like lesser surrogates engaged in battles on behalf of the elite lords who don’t have the courage to fight themselves.
- BOOTH: Alright, you know what, come back to me, Roxy, huh?
- BRENNAN: (in Roxy mode) Oooh, look at all this sweat.
