|| San Giovanni in Laterano, Rome || (© May Rosales)
Nikon D40 AF-S DX Zoom-Nikkor 18-55mm f/3.5-5.6G ED II


|| San Giovanni in Laterano, Rome
 || (© May Rosales)

Nikon D40 AF-S DX Zoom-Nikkor 18-55mm f/3.5-5.6G ED II

2 notes

|| Window at Raphael Rooms, Vatican Museums || (© May Rosales)
Nikon D40 AF-S DX Zoom-Nikkor 18-55mm f/3.5-5.6G ED II


|| Window at Raphael Rooms, Vatican Museums
 || (© May Rosales)

Nikon D40 AF-S DX Zoom-Nikkor 18-55mm f/3.5-5.6G ED II

2 notes

Cabin Pressure 1x03 - Cremona

  • HESTER: Oh, hello. MJN Air?
  • MARTIN: Yes. Helloooo. Ah, good morning, miss madam and welc—muh, madam Macaulay miss ma’am…uhm, m-miss Macaulay.
  • HESTER: Oh. Thank you. But please, call me Hester.
  • DOUGLAS: Yes, the full title’s rather a mouthful, isn’t it?
  • MARTIN: Ah, th-th-th-this is First Offi – I mean, I’m Captain Martin Crieff, but this is the First Officer Douglas Richardson, the co-pilot.
  • HESTER: Pleased to meet you, Mr. Co-Pilot. Is that like being a co-star?
  • DOUGLAS: I suppose it is, yes.
  • MARTIN: Well, not really, I mean co-star is equal with the other co-star whereas the co-pilot is junior to me.
  • HESTER: Oh yes, I’m sure he is, Captain Crieff.
  • MARTIN: Oh please, call me Madam. Martin!

10 notes

|| Ceiling detail, Galleria degli Candelabri, Vatican Museums|| (© May Rosales)
Nikon D40 AF-S DX Zoom-Nikkor 18-55mm f/3.5-5.6G ED II


|| Ceiling detail,
 Galleria degli Candelabri, Vatican Museums|| (© May Rosales)

Nikon D40 AF-S DX Zoom-Nikkor 18-55mm f/3.5-5.6G ED II

|| Terme Stabiane, Pompeii || (© May Rosales)
Nikon D40 AF-S DX Zoom-Nikkor 18-55mm f/3.5-5.6G ED II


|| Terme Stabiane, Pompeii
 || (© May Rosales)

Nikon D40 AF-S DX Zoom-Nikkor 18-55mm f/3.5-5.6G ED II

Cabin Pressure 1x03 - Cremona

  • ARTHUR: The thing is, is it unprofessional to tell a passenger that you once made a collage of her face out of pasta shapes?
  • DOUGLAS: Mmm. I really don’t know.
  • ARTHUR: You see, part of me is…
  • DOUGLAS: Oh, I’m sorry, did I say know? I meant care. I don’t really care.

8 notes

|| To the Teatro Grande, Pompeii || (© May Rosales)
Nikon D40 AF-S DX Zoom-Nikkor 18-55mm f/3.5-5.6G ED II


|| To the Teatro Grande, Pompeii
 || (© May Rosales)

Nikon D40 AF-S DX Zoom-Nikkor 18-55mm f/3.5-5.6G ED II

1 note

|| Pillars in Pompeii || (© May Rosales)
Nikon D40 AF-S DX Zoom-Nikkor 18-55mm f/3.5-5.6G ED II


|| Pillars in Pompeii
 || (© May Rosales)

Nikon D40 AF-S DX Zoom-Nikkor 18-55mm f/3.5-5.6G ED II

Cabin Pressure 1x03 - Cremona

  • DOUGLAS: Cremona. So I imagine we’re staying at the Excelsior?
  • CAROLINE: Then carry on imagining, Douglas, because that’s as close as you’re getting. Ms. Macaulay will be at the Excelsior, you will be over at the road at the Garibaldi.
  • DOUGLAS: Oh no, the Garibaldi’s an absolute dump!
  • CAROLINE: A dump, yes, but a keenly priced dump.
  • DOUGLAS: If this was a proper airline, we’d be staying at the Excelsior.
  • CAROLINE: Agreed. And if you were proper pilots, you’d be flying with the proper airline. Impasse. Now, go and do me that load sheet, one passenger and a dozen shirts.
  • DOUGLAS: One of our sweatier actresses, is she?
  • CAROLINE: No, the film’s set in Fascist Italy, and apparently the studio needs some extra black shirts for the, um…
  • DOUGLAS: Extras?
  • CAROLINE: Yes, playing…
  • DOUGLAS: Black Shirts?
  • CAROLINE: Precisely.

1 note

|| Pompeii || (© May Rosales)
Nikon D40 AF-S DX Zoom-Nikkor 18-55mm f/3.5-5.6G ED II


|| Pompeii
 || (© May Rosales)

Nikon D40 AF-S DX Zoom-Nikkor 18-55mm f/3.5-5.6G ED II

|| Arco Honorario, Pompeii || (© May Rosales)
Nikon D40 AF-S DX Zoom-Nikkor 18-55mm f/3.5-5.6G ED II

|| Arco Honorario, Pompeii || (© May Rosales)

Nikon D40 AF-S DX Zoom-Nikkor 18-55mm f/3.5-5.6G ED II

5 notes